Fiordiligi - Così fan tutte, Bury Court Opera, 2017
'This difficult role was sung beautifully'This difficult role was sung beautifully
Owen Davies, www.playstosee.com, March 2017
This difficult role was sung beautifully
Brahms Ein deutsches Requiem, York Music Society, 2016
'Stafford's delicate high notes [were] sublimely tasteful'
Claire McGinn, York Press (November 2016)
First Lady - The Magic Flute Young Opera Venture, 2014
'the masked ladies (Jenny Stafford, Lucinda Stuart-Grant, both strikingly well-experienced, plus a fabulous bottom line from Heather Ireson) all three gorgeously and perfectly attuned.'
Roderic Dunnett, Seen and Heard International (October 2014)
Kiss me, Figaro! Merry Opera Company, 2014
'Jenny Stafford has a voice of immense beauty and a modern, pragmatic sincerity'
Libby Purves, Theatre Cat (June 2014)
'The, I dare not say the ‘c’ word (chorus), ensemble are all individually vocally strong and some offer moments of real belly laugh humour, especially the desperately and unrequitedly loved up Rachel (Jenny Stafford)'
Dan Phillips, Bargain Theatreland (February 2014)
Angela Gheorghiu masterclass, Solti Accademia di bel canto, 2012
'Jenny Stafford, a bright, silvery young English soprano'
Helen Wallace, BBC Music Magazine (July 2012)
La bohème Silent Opera, 2012
'The standout singer, though, was Jenny Stafford as the flirtatious Musetta... her aria in Act II, musically the evening's highpoint'
Paul Kilbey, One Stop Arts (February 2012)
'The most enjoyable performances come from... an energetic and dangerous Musetta played by Jenny Stafford'
Diana Damian, Exeunt magazine (February 2012)
'Jenny Stafford excelled as Musetta, irascible and yet in Love; her Bar song (the only piece in original Italian) expertly acted and seductively sung.'
The Retropolitan Review (February 2012)
'Baritone Oliver Dunn, singing Marcello, has the makings of a great singer, as does his counterpart Jenny Stafford who fills Musetta's slutty boots rather well and boy can she strut!'
Paul Guest, Huffington Post (February 2012)
'the Musetta of Jenny Stafford: bold and brash, making up to the men in the audience who surrounded the cast in the Café Momus scene, she sang accurately and with bite, and projected her character with aplomb.'
Mike Reynolds, Musical Criticism (February 2012)
'This difficult role was sung beautifully'This difficult role was sung beautifully
Owen Davies, www.playstosee.com, March 2017
This difficult role was sung beautifully
Brahms Ein deutsches Requiem, York Music Society, 2016
'Stafford's delicate high notes [were] sublimely tasteful'
Claire McGinn, York Press (November 2016)
First Lady - The Magic Flute Young Opera Venture, 2014
'the masked ladies (Jenny Stafford, Lucinda Stuart-Grant, both strikingly well-experienced, plus a fabulous bottom line from Heather Ireson) all three gorgeously and perfectly attuned.'
Roderic Dunnett, Seen and Heard International (October 2014)
Kiss me, Figaro! Merry Opera Company, 2014
'Jenny Stafford has a voice of immense beauty and a modern, pragmatic sincerity'
Libby Purves, Theatre Cat (June 2014)
'The, I dare not say the ‘c’ word (chorus), ensemble are all individually vocally strong and some offer moments of real belly laugh humour, especially the desperately and unrequitedly loved up Rachel (Jenny Stafford)'
Dan Phillips, Bargain Theatreland (February 2014)
Angela Gheorghiu masterclass, Solti Accademia di bel canto, 2012
'Jenny Stafford, a bright, silvery young English soprano'
Helen Wallace, BBC Music Magazine (July 2012)
La bohème Silent Opera, 2012
'The standout singer, though, was Jenny Stafford as the flirtatious Musetta... her aria in Act II, musically the evening's highpoint'
Paul Kilbey, One Stop Arts (February 2012)
'The most enjoyable performances come from... an energetic and dangerous Musetta played by Jenny Stafford'
Diana Damian, Exeunt magazine (February 2012)
'Jenny Stafford excelled as Musetta, irascible and yet in Love; her Bar song (the only piece in original Italian) expertly acted and seductively sung.'
The Retropolitan Review (February 2012)
'Baritone Oliver Dunn, singing Marcello, has the makings of a great singer, as does his counterpart Jenny Stafford who fills Musetta's slutty boots rather well and boy can she strut!'
Paul Guest, Huffington Post (February 2012)
'the Musetta of Jenny Stafford: bold and brash, making up to the men in the audience who surrounded the cast in the Café Momus scene, she sang accurately and with bite, and projected her character with aplomb.'
Mike Reynolds, Musical Criticism (February 2012)